I.
The Rocky Mountain Land Library is on my mind today. It’s a library-in-progress, still in an aspirational phase, but darned if I don’t hope it works. As the New York Times describes it:
Imagine a network of land-study centers stretching from the Headwaters of South Park to the metro-Denver plains. Each site will be united by the common purpose of connecting people to nature and the land, but each site will have something unique to share:
South Park’s Buffalo Peaks Ranch will offer a 32,000+ natural history library, along with residential living quarters for anyone who would like to experience the quiet and inspiration of a book-lined historic ranch, set on the banks of the South Platte River, and surrounded on all sides by a high mountain landscape, with some peaks rising to over 14,000 feet.
I admire this kind of curatorial vision, and I like to think of a point in the future of libraries when this is the core of what most librarians do. In the Land Library, it’s situating research materials about the land in a site that is proximate to or integrated with the land itself. More generally, it’s understanding a particular research and creative process, so that materials relevant to that process can be optimally arranged in space and time. This curatorial approach to libraries is not revolutionary, but developmental. It builds on the outcomes of the existing model of collection development, which collocated researchers with the largest-attainable quantity of the highest-attainable quantity of resources.
Call it the collecting library, a solution to the information scarcity problem. The curatorial library is an adaptive reuse of that architecture to provide a solution to the attention scarcity problem.
Continue reading Curatorial Libraries